Photography MA
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you...
Full-time
4 semesters
Master class
3990 EUR/semester for EU-students (includes the Member States of the EU, EEA and Turkey)
4990 EUR/semester for non-EU students
Two semesters tutition fee payment required.
English
Pettendi Szabó Péter
- You will be able to manage the different photographic genres and media surfaces not only as a visual problem, but you will also learn how to think in a communication and information structure
- You will learn the latest digital technology used in professional photography, and also a wide range of traditional small-format cameras, and the medium-format cameras applied in specialist fields as well as large format photography.
- We offer an opportunity for continuous development, independent and teamwork as well.
- You will receive such knowledge that helps you join the art world in Hungary and abroad.
In the first year the focus is on the followings:
- As you have mastered the technical skills, the focus is shifted on the independent selection of themes.
- We try to find connections, inspire you to think in the system of mediums, and treat photography as an instrument for expression.
In the second year:
- Through integrated research and design tasks, you are prepared for your future tasks.
- We strengthen your work relying on your independent selection of theme and the relevant knowledge on the media.
- Beside the applied and autonomous fields of photography, we focus on the design work relying on visual concept and the possibilities lying in this.
- A position of photographer in the different specialist fields of photography and visual media.
- As an independent artist and/or as a freelancer (running your own business).
Photographic design (creative, conceptual, portrayal, documentary, experimental, press and fashion), creative design, studio practice, history of photography, photo-graphic techniques, artistic interpretation, studies in philosophy, contemporary visual communication, media studies, reportage genres
“We are living under the dictatorship of visual images. The technical image creation is getting cheaper and cheaper, and the equipment is available for anybody. In every single second, millions of images are captured all over the world. This massive amount has totally altered the use of pictures and our relationship to that, but at the same time it proves the inexhaustible power of communicating with pictures. In order to be able to live with this power consciously, we have to find the form and device of taking pictures that is the most appropriate and efficient for us. This is our job here.”
GÁBOR GERHES, artist, holding the Munkácsy Mihály award